you've been warned
know where they live across open sea
know which sharp craggy rocks they perch upon
snaring sailors on their deadly shore
cracking the bones of sea-faring men
cleaning their flesh from teeth stained
by a thousand extinctions, they sing
music of the spheres to lure and leech
the lives of enamored audiophiles
choose another route
sail from those soul-sucking succubi
their heavenly voices and sanguine incisors
stuff your ears with wax
or blast Bach through headphones
to cancel out their carrion call
better to cast eardrums into the Western sea
than drown yourself in black oblivion
who would not be tempted
by them, to hear the complementary notes
of creation and destruction?
the voice of god vibrates in the music
of spheres spinning through the void
as well as the whisper of autumn breezes
each shimmering fish in the sea.
no need to risk all when
beauty’s before you.
resist the temptation
danger loses its allure
when you’re a corpse: dead is dead.
sex and danger cancel each other
when sunk within
some things are worth dying for,
a simple mutilation will suffice,
maybe something less
like--a pounding head,
--an eardrum busted
by noise-canceling BOSE,
and an enormous credit card bill
*inspired by the following tweet by @sentantiq at 6:59am May 13, 2021
“Someone might escape the beautiful bewitchment of Homer’s Sirens by not starting at all, by stuffing wax in his ears, or by turning in some other direction.” #Eustathius
*common sense disclaimer: I am not disparaging BOSE earpieces, just commenting in the poem that blasting music too loud (to cancel out outside noise) through any earpiece could damage your ears.
*note: I am no longer using twitter for ethical reasons (link), but this prompt was written earlier, before I left the platform.
during months or years of peace
his wife has been polishing--the shield
blackened as it hung in the chimney corner
respond to the call to fight
plain duty admits no hesitation.
a hard interruption of their happy lives,
the risk of passing
from the warm company of men
to the chill shades of death. they knew bravery
is not an everyday possession.
highly as they prized it
to warm their hearts for the clash
most Greek armies
as they charged,
that each might borrow from the general stock
what best suits the citizen-soldier
in which one short effort carries him forward,
in which a man’s duty to his immediate comrade
best spurs his intent.
during months or years of peace
the shield blackened as it hung in the chimney corner
his wife has been polishing
--found poem taken from The Greek and Macedonian Art of War by F.E. Adcock. If you are unfamiliar with this type of poetry, it’s a way of collaging the work of another author into a unique poem by clipping, altering, and rearranging pieces into something new.
*image courtesy of publicdomainpictures.net via Creative Commons Licensing.
“The Unsigned Letter”
“No need to sign since I give it her myself”
the lie you told, hiding your true feelings
in the pocket nearest your beating heart
she described you perfectly yet you saw no hope,
seeing beauty everywhere but in yourself,
you lie concealed behind another’s handsome face,
a poet’s exercise excuses your tear-stained words
divinity of form for a form poet: why can’t you see
the truth of yourself? more than a poem composed,
you are the sonnet that creates itself.
Thanks for stopping by my blog. Check out my Patreon for more of my writing!
I’m thrilled to announce I’ll be reading selections from my book, An Optimist’s Journal of the End of Days and Other Stories, at Barberton Library on Saturday, September 11th at 2pm! I will also be selling and signing copies of the book for those who are interested.
In the meantime, stay safe, stay well, and read often!*inspired by Edmond Rostand’s Cyrano de Bergerac.
charcoal heads droop, their glowing halos
weighted with the heft of so much cheer
petals flame this dinner table hearth
lightening the heart of this happy home
sunshine yellow arms outstretch to embrace
or supplicate, cut from their grassy beds,
their tendrilled roots removed, replaced,
stabilized instead by a shallow red glass
its life-giving water dries up all too soon
*Thank you for visiting my blog! I hope you enjoyed the poem. If you are interested in reading more of my work, please check out my craft posts on my Patreon! In the meantime, stay safe, stay well, and read often!
the world opens up as a new monster looms on the horizon, belching fire, slaughtering victims without thought to gender, creed, or age: the smallest of the small, resistant to her older brother’s charms, no longer spared infectious breath.
not content to massacre millions by breath alone, she melts crematoriums whose iron frames soften, run from the heat of so many bodies burned in so few hours, days, weeks of death; chimneys crack from overuse, appalling mockery that mimics hospital beds buckling from the influx of live bodies they strain to save and might despite their failures. Parks no longer host festivals but burning pyres that brighten twilight like bonfires left behind by the wyrms’ warm feasting
or colossal candles lit in earth’s cathedral for each of those extinguished lives, bright enough to catch the eyes of the gods in their heavens or the demons down below.
the beast that plagued last year seems tame beside his younger sibling, the serpent virulent exhaling flame who does not deign to spare the lives of children.
Will she leap across the waters, span the ocean, leave that far off land to spread her curse upon our slowly awakened shores?
Does she await our recovery only to make her scourge more felt?
# Thanks for stopping by my blog. If you’d like to read about the crafting of “Plague of Dragons,” check out my Patreon next week for a free technical breakdown of the poem.
“last year’s revels”
the toddler rolls from bed,
a ballerina princess excited
for the special day ahead,
anticipates her long-awaited party.
strawberry-topped chocolate cake
with a grape soda chaser,
she’s fueled for festivity:
rainbowed streamers wave
above a table piled with gifts,
sunshine yellow ribbon
seals each shining gold wrapper,
as storm clouds gather unheaded
outside her window’s thin glass.
she tears a first package apart,
eager, greedy for its contents,
frowns at the dimestore damsel’s
impossible figure and painted smile,
tosses her aside for another
bright box’s glinting temptation,
enchanted to find inside
flint enough to fire her tinder home.
caffeine-fueled and sugar-dosed,
she blazes pirouette on tip-toes,
ecstatic homage to firenadoes
swirling flame outside her door.
she watches in delight,
her face crimson bright
as a demon risen to scorch
this mortal earth with hellfire.
hay-colored landscapes wither,
flames kindle the world: fireworks
enough to entertain her swollen
all-too-childish brain. she collapses,
in a fit of giggles watches murder hornets
bloom across the blood red sky.
her joy indisputable on a face free
from the thin cotton mask she refuses to wear.
she knows these days are hallowed,
these endless nights will last
for years to come.
exhausted from her revels,
she tears the Barbie’s bloodless arms;
the doll’s blank eyes reflect nothing,
the hollow chest holds her silent scream,
her frozen face beaming
an eternally vacant grin.
If you’d like to know more about the craft that went into this poem, next week I will be posting a poem dissection on my Patreon–which is free during the pandemic. Thank you for stopping by. Stay safe, stay well, and read often!
I hobble out of bed at daybreak an Igor with dreams of being both doctor and creation, waiting for just one spark, juice enough to fuel that night's creation.
Excitement looms on this horizon pregnant storm clouds heavy with rain, whipped overhead by hurricane winds, ready to strike, incite the dead to life.
Petrichor coats my tongue, fills my head, lightning flashes, blue-white channels blaze down these rods to these hands, fire enough to burn, birthing this beating heart.
My blood boils, my eyes open.
*Thank you for visiting my writing blog. I hope you enjoyed the poem! If you’d like to read about its creation, I will be dissecting it next Friday on my Patreon.
If you would like to read more of my writing, I will be posting once a month (both here and on my Patreon) for the foreseeable future; I’m concentrating on my next poetry collection, as well as writing a novel.
i remember when i thought twice, thrice, a dozen times moreover whether to call myself writer, a title hallowed in my heart throughout my childhood years, the ones who wrote the books i devoured with my every free hour, my escapes into worlds of make-believe, my gateway to learning beyond what adults prescribed for me
i’ve known too many writers to be intimidated by the title, known their kindness and generosity, heard of others’ lack lucky enough not to experience it myself
i remember when i hesitated to call myself poet, the title seemed too pretentious, too artistic to apply to just anyone, like lumping Van Gogh in with the man who graffitis the roadside in the dead of night. but why not? why should a canvas command more respect than the underside of an overpass? why should the verse of authors long gone hold more esteem than the coffee house clique reciting their rhymes in the meeting place of modern minds? the old and new both live
i’ve known too many poets to be awed just by the word when their humanity alone humbles me my own attempts to grasp each abiding image, each emotion collaged upon these pages like flowing script, rivers of ink and electrons imprinted upon our collective minds
with or without title, i’ll write these words, this verse, hope someday they will be read, felt, imbued with life
words change form throughout time as organic as a climbing vine growing with each age titles are more specific, rigid like concrete i call myself the words the titles themselves unknown
“She Who Was the Helmet Maker's Once-Beautiful Wife"
you didn't know what awaited you
when you began the long trek to see your son
bare feet and fallen arches old bones aching
with miles of marching your final journey
all for one more glimpse of your boy
become a man
why bare yourself for the artist's art?
how much more could you have to give?
the tragedy of your worn form outlives your mortality,
the young girl you were forever trapped in iron gray.
*Rodin’s model for She Who Was the Helmet Maker’s Once-Beautiful Wifewas the mother of one of his male models. The photo I used reminded me of a younger version of Rodin’s model, since I was unable to obtain permission for an image of the original sculpture. You can find an image of Rodin’s masterpiece here.